Japanese Artist inspired by L.S. Lowry: Japanese context of Northern England

Japanese Artist inspired by L.S. Lowry: Japanese context of Northern England

The contemporary Japanese artist, Sawako Utsumi, is deeply moved by the art of L.S. Lowry (original below). Indeed, several art pieces done by Utsumi relate to playing on certain Japanese themes while focusing on the original. Therefore, in her recent art piece titled “Lowry in Japanese color, space, and time,” a more openly Japanese context is added to a greater degree.

This notably applies to space, time, and clarity that are equally visible within Japanese gardens. Equally, certain areas related to quaint angles of Buddhism in the land of the rising sun relate to the importance of space and time. Hence, Utsumi reawakens a sense of her own cultural identity within the original by Lowry that is set in industrial northern England.

All of a sudden, the industrial landscape turns into a scene that exemplifies a natural flow that isn’t constrained by limited space. In other words, the children playing now seem more liberated and at ease in the new environment that is colorful, clean, and not constrained by railings or negative aspects related to industrial northern England.

Equally, the distant industrial angle and gloomy skyline is now transferred by closeness and a sky that equates to freedom. Of course, each individual will see different things and others will see nothing. Yet, for Utsumi, this matters not one jot, providing one other soul connects to her art in a meaningful way that complements the original – while acknowledging the huge transformation based on art, different cultures, and the intentions of Utsumi.

In another article, I state, Hence, the contemporary Japanese artist Utsumi is focusing on individuality, new forces based on the color that will soon emerge, and people content in their natural surroundings. This focus works a treat because old northern England now becomes innovative once more. After all, the Industrial Revolution and modernizing forces came from the same rich history of northern England.”

The freedom related to the children playing in the art piece titled “Lowry in Japanese color, space, and time,” suddenly alters the notion of struggle and limited ambitions based on the daily grind of life. Instead, the colors of the houses relate to new freedoms and defeating the limited opportunities that generations of working-class people face in industrial cities all over the world.

Written by Lee Jay Walker

Please email Sawako Utsumi at sawakoart@gmail.com

BELOW IS A NEW BOOK BASED ON THE ART OF SAWAKO UTSUMI

Book Review: Sawako Utsumi and her Kindred Spirit

European and Japanese Art: Buddhism, Christianity, Landscapes, Rinpa, Shintoism, Ukiyo-e, and Dutch Masters

http://www.lulu.com/shop/lee-jay-walker/sawako-utsumi-and-her-kindred-spirit/paperback/product-22830732.html – Please click on to order the book.

http://fineartamerica.com/profiles/sawako-utsumi.html – Sawako Utsumi and where you can buy her art, postcards, bags, and other products. Also, individuals can contact her for individual requests.

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http://sawakoart.com – Sawako Utsumi personal website

Contemporary Japanese Artist and L.S. Lowry: Distance, Light, and Ideas

Contemporary Japanese Artist and L.S. Lowry: Distance, Light, and Ideas

Sawako Utsumi hails from northern Japan and she is a contemporary Japanese artist, who equally adores art from the distant past. True to the nature of Utsumi, her art focuses on the rich traditions of old Japan, while focusing on a broad spectrum of European artists. However, when it comes to L.S. Lowry (1887-1976), it is apparent that a different light separates her deep admiration of Lowry.

This light not only applies to color, perspectives, breaking down the barriers of the industrial and working-class landscape that inspired Lowry – but also to a spiritual dimension that relates to cultural norms in her native Japan. Hence, in her latest art piece titled “Lowry in full Japanese bloom,” the houses come alive based on new light. Similarly, individuals in the street setting break the initial impressions of the original.

In a sense, it is easy to overstate the negativity of distant industrial northern England. Equally, in the opposite direction, some individuals can focus on nostalgia related to strong communities, the bedrock of the family, the political non-conformist Christian churches demanding rights, a potent trade union movement tackling the economic and political class, and other areas related to this period of British history.

Hence, the contemporary Japanese artist Utsumi is focusing on individuality, new forces based on the color that will soon emerge, and people content in their natural surroundings. This focus works a treat because old northern England now becomes innovative once more. After all, the Industrial Revolution and modernizing forces came from the same rich history of northern England.

In a past article, I state, “The contrast of the originals by Lowry – to the creativity of Utsumi – creates a natural state of mind that highlights the difference in time and perspectives. In the world of Lowry, you had hard working people battling against the reality of industrialization, pollution, and poverty. However, for Utsumi, while acknowledging that poverty still persists in modern Japan and the United Kingdom; the neon lights of Tokyo to the comforting rural areas of the Sendai region provides hope.”

Overall, the new art piece by Utsumi – who is inspired by the rich artistic legacy of Lowry – is inspirational in relation to the visual reality and the deeper meaning behind her art.

Lee Jay Walker

Please email Sawako Utsumi at sawakoart@gmail.com

BELOW IS A NEW BOOK BASED ON THE ART OF SAWAKO UTSUMI

Book Review: Sawako Utsumi and her Kindred Spirit

European and Japanese Art: Buddhism, Christianity, Landscapes, Rinpa, Shintoism, Ukiyo-e, and Dutch Masters

http://www.lulu.com/shop/lee-jay-walker/sawako-utsumi-and-her-kindred-spirit/paperback/product-22830732.html – Please click on to order the book.

http://fineartamerica.com/profiles/sawako-utsumi.html – Sawako Utsumi and where you can buy her art, postcards, bags, and other products. Also, individuals can contact her for individual requests.

http://fineartamerica.com/featured/japanese-whispers-in-respect-of-lowry-sawako-utsumi.html

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https://fineartamerica.com/featured/lowry-in-full-japanese-bloom-sawako-utsumi.html

http://sawakoart.com – Sawako Utsumi personal website

High Peak Art by Japan Artist: Castleton and other Villages of the Peak District

High Peak Art by Japan Artist: Castleton and other Villages of the Peak District

Lee Jay Walker

Modern Tokyo Times

 

The contemporary Japanese artist, Sawako Utsumi, feels at home when viewing the stunning landscapes of the High Peak region in Derbyshire, England, and the dotted villages throughout the Peak District. Indeed, her latest art piece, titled High Peak Art of Castleton through Japanese Eyes, illuminates the different themes selected by Utsumi. Therefore, rather than focusing on more natural themes of Castleton, her simplistic approach on one small area of the village still brings alive the natural beauty of the High Peak.

In other words, Utsumi creates a stunning art piece that illuminates a stone house near a delightful stream. Of course, mountains surround the village of Castleton and this applies to the White Peak area in a southerly direction, and the Dark Peak to the north.

This village being written down in the famous Domesday Book of 1086 witnesses the rich historical legacy of Castleton, known then as Pechesers. Not surprisingly, remnants of past history remain vivid based on Peverel’s Castle and the adorable St Edmund’s Norman Christian Church. Similarly, the importance of caverns serving the lead mining industry come alive in modern times based on a different tune. Therefore, tourists in modern times flock to Blue John Cavern, Peak Cavern, Speedwell Cavern, and Treak Cliff Cavern.

However, despite the more rugged landscape, Peverel’s Castle, St Edmund’s Norman Christian Church, and other realities, Utsumi elegantly focuses on the most natural of settings. In other words, a beautiful house in the central part of the village is illuminated along with the flowing stream. Of equal significance, is the Cliff that rises above the house but the intricacy means that the view is gentle and minimal. Likewise, the trees contrast greatly with the main color scheme and this equally creates a natural and warm feeling.

Other images in this article apply to a Christian Church in Bamford and the natural landscape of Grindleford. Overall, the latest art piece by Utusmi highlights the stunning reality of this contemporary Japanese artist, who fuses her love of past artists from Japan and Europe, to her own individual landscapes of the Peak District – and other themes in relation to Buddhism, Christianity, and Shintoism.

BELOW IS A NEW BOOK BASED ON THE ART OF SAWAKO UTSUMI

Please email Sawako Utsumi at sawakoart@gmail.com

Book Review: Sawako Utsumi and her Kindred Spirit

European and Japanese Art: Buddhism, Christianity, Landscapes, Rinpa, Shintoism, Ukiyo-e, and Dutch Masters

http://www.lulu.com/shop/lee-jay-walker/sawako-utsumi-and-her-kindred-spirit/paperback/product-22830732.html – Please click on to order the book.

http://fineartamerica.com/profiles/sawako-utsumi.html – Sawako Utsumi and where you can buy her art, postcards, bags, and other products. Also, individuals can contact her for individual requests.

http://fineartamerica.com/featured/high-peak-art-of-castleton-through-japanese-eyes-sawako-utsumi.html

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http://sawakoart.com

Japanese Art and Esaias Van De Velde: Christian Churches and Dutch Villages Through Japanese Eyes

Japanese Art and Esaias Van De Velde: Christian Churches and Dutch Villages Through Japanese Eyes

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The contemporary Japanese artist Sawako Utsumi adores the richness of Dutch Art from the distant past of the fifteenth to seventeenth century. In this article, the focus is firmly on Esaias van de Velde who passed away in 1630. However, despite the clear admiration held by Utsumi who is paying homage to Esaias, the color scheme and central theme of Christianity in a placid sense are extremely pronounced.

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If you fast forward to modern times in Holland and Japan then the old world is still ticking to the traditions of the past in the countryside. Yes, the religious fervor and areas of stratification will be different in comparison with the past, yet despite this, the images conjured up in the mind survives.

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I state in a past article, “In the realm of fame, history, time, religious values and natural landscapes then Esaias and Utsumi are a million miles apart. However, in the world of art then anything is possible providing the natural feel is linked with passion and admiration. Therefore, for Utsumi, it is natural to flow between time, space, concepts and ideas because the mystery of Shintoism isn’t constrained by religious orthodoxy.”

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In the latest art piece by Utsumi titled Japanese Artistic Light of Esaias Van De Velde, the color scheme and central role of Christianity is striking. Likewise, people depicted seem to have time to waste based on tranquility. At the same time, houses look quaint and the natural flow of life seems a million miles away from modern Tokyo where Utsumi currently resides.

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It is known that Esaias admired Pieter Bruegel the Elder (1525-1569). Intriguingly, this artist was called “Peasant Bruegel.” For Utsumi, the artist Bruegel is also deeply admired because of his depiction of adorable landscapes and artistic themes that focus on peasants. In a sense, Utsumi is trying to fuse both artists within her art based on several angles.

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Utsumi’s other art piece titled Japanese Reflection of Esaias van de Velde ties in greatly with her latest art piece titled Japanese Artistic Light of Esaias Van De Velde. Therefore, despite the homage being shown by Utsumi towards Esaias, it is abundantly clear that her own thoughts are focused on different themes outside of the original art pieces by Esaias and this notably applies to the Christian angle.

Lee Jay Walker

Please email Sawako Utsumi at sawakoart@gmail.com

BELOW IS A NEW BOOK BASED ON THE ART OF SAWAKO UTSUMI

Book Review: Sawako Utsumi and her Kindred Spirit

European and Japanese Art: Buddhism, Christianity, Landscapes, Rinpa, Shintoism, Ukiyo-e, and Dutch Masters

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http://www.lulu.com/shop/lee-jay-walker/sawako-utsumi-and-her-kindred-spirit/paperback/product-22830732.html – Please click on to order the book.

http://sawakoart.com – Sawako Utsumi personal website

http://fineartamerica.com/profiles/sawako-utsumi.html – Sawako Utsumi and where you can buy her art, postcards, bags, and other products. Also, individuals can contact her for individual requests.

http://fineartamerica.com/featured/japanese-artistic-light-of-esaias-van-de-velde-sawako-utsumi.html

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Japan Artist, Christian Church in Heptonstall and Clarity to Blurred Lines: Ted Hughes, Sylvia Plath, and Shinto

Japan Artist, Christian Church in Heptonstall and Clarity to Blurred Lines: Ted Hughes, Sylvia Plath, and Shinto

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The contemporary Japanese artist, Sawako Utsumi, adores the visual reality of traditional villages and towns in the Calderdale area of West Yorkshire. This noticeably applies to quaint old Christian churches that have survived modernity, the rugged landscape of the surrounding area, the canal area that runs through Hebden Bridge in both directions, and quaint houses that exist near the main Christian church in Heptonstall. Equally dramatic is the changeable weather and diversity of thought patterns that runs through Heptonstall and Hebden Bridge respectively.

Indeed, one minute you can be walking in lowland areas of Hebden Bridge, then suddenly high up with the Pennine Way in easy reach. Or, alternatively, walking uphill to the delightful village of Heptonstall. On top of this, Hardcastle Crags and the Rochdale Canal are a treat to people who cherish the outdoors.

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In the art piece by Utsumi titled Heptonstall Christian Church in West Yorkshire, the artist focuses on a more clear vision. This contrasts noticeably with the more blurred art piece titled Heptonstall in Silence.

Reasons behind this are multiple but with one noticeable concept behind this. In other words, the older art piece by Utsumi resembles the mystery of Shintoism compared with the later art piece. Therefore, the blurred dimensions of Shintoism and nature fuse within the troubled history of Heptonstall despite the continuity of Christianity in this part of West Yorkshire.

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The troubled history applies to a battle that took place in 1643 during the English Civil War. Similarly, David Hartley, alias the King of the Cragg Vale Coiners, was buried in Heptonstall after being hanged in York in 1770.

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This reality means that the blurred and intriguing painting of Heptonstall in Silence is fused with the mysteries of Shintoism – that remains outside the knowledge of most non-Japanese people. However, Heptonstall Christian Church in West Yorkshire resembles the influence of Buddhism in Japan and the familiarity of this faith internationally. Therefore, the clarity of the second art piece is based on familiarity and the right path, compared with the power of nature that burnt brightly in the soul of the poet Ted Hughes who hails from Calderdale.

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Ted Hughes wrote:

When God, disgusted with man,
Turned towards heaven.
And man, disgusted with God,
Turned towards Eve,
Things looked like falling apart.

But Crow . . Crow
Crow nailed them together,
Nailing Heaven and earth together

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Ultimately, the Crow may have been Ted Hughes himself, compared with the mammal Sylvia Plath who is buried in Heptonstall. These fusions of ideas, and intricacies, equally enter the mindset of indigenous Shintoism. Yet, this applies to different angles because the Crow was Buddhism during the Edo Period that often devoured Shintoism. This reality persists in areas of high culture and political significance despite the changing winds of the Meiji era.

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Sylvia Plath wrote:

I have no wit, I have no words, no tears;
My heart within me like a stone
Is numbed too much for hopes or fears;
Look right, look left, I dwell alone;
A lift mine eyes, but dimmed with grief
No everlasting hills I see;
My life is like the falling leaf;
Jesus, quicken me.

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Overall, Utsumi is not only focused on the delightful setting of Heptonstall because this contemporary Japanese artist is trying to fuse this within her native land. Yet, unlike the sinister world of humanity and nature that awaits the Crow by Ted Hughes, in the world of Shinto nature is comforting and powerful. Equally important, it connects with the soul and ancestors. Therefore, Sylvia Plath may be buried far away from her native home but in the world of Shinto, her spirit is like a kami that awaits a new beginning – or, in the Christian trinity, a mystery remains where the Crow is defeated by the Lamb.

Lee Jay Walker

http://sawakoart.com – Sawako Utsumi personal website

http://fineartamerica.com/profiles/sawako-utsumi.html – Sawako Utsumi and where you can buy her art, postcards, bags, and other products. Also, individuals can contact her for individual requests.

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Japan Art and the Spirit Of Shinto: Ukiyo-e in the Light of Nature and Shintoism

Japan Art and the Spirit Of Shinto: Ukiyo-e in the Light of Nature and Shintoism

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Recently, the modern Japanese artist, Sawako Utsumi, produced two stunning pieces of art based on the fusions of ukiyo-e, the gentle influence of Shintoism and the power of nature. These two pieces of art are titled the Spirit of Ukiyo-e in the Light of Shinto and Spirit of Shinto and Ukiyo-e in the Light of Nature. Therefore, Utsumi is focused on bringing these two art pieces together based on delightful color schemes, playing on nature, the mystery of the mind, the lasting legacy of ukiyo-e, and the endless influence of the Shinto faith that remains within easy reach.

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Another adorable feature in both art pieces is the concept of creating reality and unreality. This is based on delightful color schemes, the natural seasons of nature, and unique angles in relation to faith and senses . At the same time, time and motion enter the realm of idealism.

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Intriguingly, while ukiyo-e is clearly alluded to, the gentle theme of the Shinto faith remains almost distant, despite being visible. Obviously, the idea of this is to highlight how Shintoism and nature fuse together. This theme runs deeply throughout other art pieces by Utsumi, irrespective if personal landscapes, highlighting the power of old Dutch art, paying respect to artists like L. S. Lowry but based on personal color schemes, illuminating traditional Japanese art themes – and other aspects of Utsumi’s art.

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In another article, I state “The land of Japan is notably shaped by the indigenous faith of Shintoism but Buddhism emerged to be a potent religious center at the heart of this nation. Indeed, powerful religious holy cities including Kyoto, Koyasan, and Nara highlight the power of Buddhism in the land of the rising sun. This reality flowed within Japanese society because of Buddhist priests entering from China and Korea – and because Japanese religious thinkers entered the Middle Kingdom. At the same time, Confucianism impacted heavily during various periods of Japanese society because of the interaction that flowed between China and Japan.”

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Turning back to the two art pieces highlighted in this article, then color schemes enter the realms of Shintoism based on mystery. Indeed, the power of spirits, nature, ancestors, and other areas that flow within the Shinto faith, clearly inspire Utsumi to reach new inner senses. However, this intriguing modern Japanese artist desires to sidestep natural reality in the two art pieces highlighted, in order to illuminate the impact of ukiyo-e and the Shinto faith within the body politic.

Lee Jay Walker

http://sawakoart.com – Sawako Utsumi personal website

http://fineartamerica.com/profiles/sawako-utsumi.html – Sawako Utsumi and where you can buy her art, postcards, bags, and other products. Also, individuals can contact her for individual requests.

http://fineartamerica.com/featured/spirit-of-shinto-and-ukiyo-e-in-the-light-of-nature-sawako-utsumi.html?newartwork=true

http://fineartamerica.com/featured/spirit-of-ukiyo-e-in-the-light-of-shinto-sawako-utsumi.html

Japanese Art: Spirit Of Shinto and Ukiyo-e in the Light Of Nature

Japanese Art: Spirit Of Shinto and Ukiyo-e in the Light Of Nature

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In the stunning art piece by Sawako Utsumi titled Spirit of Shinto and Ukiyo-e in the Light of Nature, you have so many intimate and adorable intricacies. This applies to the rich influence of ukiyo-e during the height of power of this artistic movement, to the continuity of Shintoism that blends naturally with nature. Therefore, the Japanese artist Utsumi focuses on simple themes based on a notable art piece by a master of ukiyo-e. However, she does this based on her own individuality and this equally applies to the color scheme, nature, and the adage of a Shinto priest.

The land of Japan is notably shaped by the indigenous faith of Shintoism but Buddhism emerged to be a potent religious center at the heart of this nation. Indeed, powerful religious holy cities including Kyoto, Koyasan, and Nara highlight the power of Buddhism in the land of the rising sun. This reality flowed within Japanese society because of Buddhist priests entering from China and Korea – and because Japanese religious thinkers entered the Middle Kingdom. At the same time, Confucianism impacted heavily during various periods of Japanese society because of the interaction that flowed between China and Japan.

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Ukiyo-e emerged during the Edo period and continued to flourish during the early era of the Meiji period after the Meiji Restoration of 1868. Yet, the onset of modernity, technology, the influence of Western art, new artistic movements, greater options for Japanese citizens – and other factors, meant that ukiyo-e would soon decrease in influence. Despite this, great ukiyo-e artists left behind a rich legacy and influenced various powerful impressionist artists.

Utsumi masterly fuses the old artistic world of ukiyo-e with the indigenous faith of Shintoism. Yet, this is done in a simplistic manner based on the power of a past master of ukiyo-e. However, like mentioned earlier, Utsumi provides her own unique style whereby the delicate miniature of a Shinto priest is illuminated by the meaning of the art piece. Similarly, the powerful color scheme by Utsumi flows naturally within Shintoism because nature is so powerful in this faith.

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Therefore, this art piece by Utsumi is a firm reminder that not only does the old artistic world still survive the travels of time, but also equally important the soul of Shinto still ticks within the heart of society.

Lee Jay Walker

http://sawakoart.com – Sawako Utsumi personal website

http://fineartamerica.com/profiles/sawako-utsumi.html – Sawako Utsumi and where you can buy her art, postcards, bags, and other products. Also, individuals can contact her for individual requests.

http://fineartamerica.com/featured/spirit-of-shinto-and-ukiyo-e-in-the-light-of-nature-sawako-utsumi.html?newartwork=true