Art Of Buddhism and Shintoism sharing the same Japanese Tree

Art Of Buddhism and Shintoism sharing the same Japanese Tree

Unlike the Islamist sword that cut down the tree of Buddhism and Hinduism in Afghanistan and other parts of Asia, the faiths and philosophies of Buddhism, Confucianism, Taoism, and Shintoism have impacted greatly on Japan. Of course, the impact of all four had golden periods. Hence, while Confucianism and Taoism remain embedded in various areas of Japanese culture to varying degrees, it is Buddhism and Shintoism that remains firmly in the mindset.

In the latest art piece by the contemporary Japanese artist Sawako Utsumi, she reflects and deflects the reality of nature in various ways. On the one hand, the holy men walking towards a temple and shrine highlight the Buddhist and Shinto theme. However, the natural angle is based on reflecting reality.

For example, rather than heavy snow on the mountaintop, the snow is thicker on lowland areas. Equally, the adorable pink tree in the middle of the Buddhist temple and Shinto shrine is more akin to a warmer climate and different season. Likewise, the misty lowland scene and lovely blue skyline are meant to resemble the fusions and confusions of life.

Nichiren, one of the most famous holy Buddhist teachers from the land of the rising sun, uttered, “Worthy persons deserve to be called so because they are not carried away by the eight winds: prosperity, decline, disgrace, honor, praise, censure, suffering, and pleasure. They are neither elated by prosperity nor grieved by decline. The heavenly gods will surely protect one who is unbending before the eight winds.”

Likewise, despite the climatic conditions and skyline of Utsumi’s art piece appearing outside the norm of nature, the holy men of Buddhism and Shintoism remain unbending. Similarly, the attitude of Utsumi towards art neither craves recognition or material gain. Therefore, the spirit of the kami flows naturally between European and Japanese themes for Utsumi; the upshot is that chaos and conformity are just nuances to be expressed and manipulated.

Overall, the art piece titledArt Of Buddhism and Shintoism sharing the same Japanese Tree,” is not only extremely beautiful to the eye, but it is also aesthetically appealing based on the chaos theory. Yet, while the chaos theory exists the beauty of Utsumi is that continuity is equally important. This is based on Buddhism and Shintoism that flows naturally in Japan, even if the words and edicts are vague to non-existent depending on applying to each respective faith.

Written by Lee Jay Walker

BELOW IS A NEW BOOK BASED ON THE ART OF SAWAKO UTSUMI

Book Review: Sawako Utsumi and her Kindred Spirit

European and Japanese Art: Buddhism, Christianity, Landscapes, Rinpa, Shintoism, Ukiyo-e, and Dutch Masters

http://www.lulu.com/shop/lee-jay-walker/sawako-utsumi-and-her-kindred-spirit/paperback/product-22830732.html – Please click on to order the book.

http://fineartamerica.com/featured/exiled-buddhist-cleric-nichiren-in-the-snow-sawako-utsumi.html – Exiled Buddhist Cleric Nichiren in the Snow

https://fineartamerica.com/featured/art-of-japan-and-the-two-paths-of-shintoism-and-buddhism-holy-men-in-the-snow-without-abraham-sawako-utsumi.html Art of Japan and the Two Paths of Shintoism and Buddhism: Holy Men in the Snow without Abraham

https://fineartamerica.com/featured/art-of-buddhism-and-shintoism-and-two-paths-in-the-snow-sawako-utsumi.html Art of Buddhism and Shintoism and Two Paths in the Snow

http://fineartamerica.com/featured/buddhist-cleric-nichiren-in-exile-and-homage-to-yoshitoshi-sawako-utsumi.html Buddhist Cleric Nichiren in Exile and Homage to Yoshitoshi

http://fineartamerica.com/featured/buddhist-cleric-nichiren-and-bleak-winter-in-exile-sawako-utsumi.html Buddhist Cleric Nichiren and Bleak Winter in Exile

http://sawakoart.com

Fountains Abbey in Yorkshire through Japanese eyes: Buddhism, Christianity, and Shintoism

Fountains Abbey in Yorkshire through Japanese eyes: Buddhism, Christianity, and Shintoism

The contemporary Japanese artist, Sawako Utsumi, who hails from Northern Japan, once more creates a lovely art piece. Spiritually, her background is based on Shintoism and tinged with Buddhism based on the cultural legacy. Yet, in general, the Shinto faith predominates despite paying deep respect during her visit to Buddhist temples. However, aspects of Christianity also appeal to Utsumi, even if this is in the cultural realm and based on small Christian churches appearing like folk Shintoism.

Unsurprisingly, Fountains Abbey in North Yorkshire appealed greatly to Utsumi based on visual images of this Grade I listed building. In her mindset, the terrible events of the Dissolution (1536-1541) – or the Dissolution of the Monasteries – can be understood, to a degree, by the stunning grounds and buildings that remain of Fountains Abbey. This relates to the legacy of the spiritual effect that Fountains Abbey is still blessed with despite the terrible events of the Dissolution of the Monasteries.

In other words, the secularization of modern-day Japan and the United Kingdom are creating a religious vacuum that is being entered by new “soulless cultures.” The upshot of this is that major Christian Cathedrals in the United Kingdom – just like potent Buddhist temples and Shinto shrines in places like Koyasan, Kyoto, Nara, Nikko, and others – are important popular windows into a past that is often far-away from everyday life. Hence, these major centers of religion in Japan and the United Kingdom are still attracting countless numbers of people; despite vast numbers of ordinary Buddhist, Christian, and Shinto holy places struggling to attract worshippers in big numbers. However, often people who visit or pray are disconnected with the real tenets of the respective faiths based on secularization and modernization.

One can only imagine the utter devastation and disconnection felt by many Christian holy people and lay people during the Dissolution of the Monasteries. Likewise, in post World War Two in the land of the rising sun, it is clear that Buddhism and Shintoism were put on a back burner. This is based on the demands of America put on Japan and the collaboration of Japanese political elites. Therefore, the new mantra focused heavily on modernization and high technology fused with many precepts that apply to Confucian logic in the realm of ethics and educational attainment.

The New Statesman reports, “It is said that Japanese marry in a Shinto ritual and live life with Confucian ethics, and the deceased is buried and its soul is transformed into ancestors in a Buddhist ritual. These three events are essential factors in a person’s life and the Japanese religions are centered round these three elements, birth, living and death.”

Hence, just like Shinto focuses on ancestors, Utsumi witnesses Fountains Abbey based on a plethora of different factors. For example, the spiritual realm of Fountains Abbey survives both the Dissolution of the Monasteries and modern-day secularization. Therefore, despite Fountains Abbey being but a shadow of a once thriving Christian holy place, just like Shinto ancestors that have long perished, the spiritual psyche remains potent based on the connection of the senses.

Utsumi is utilizing the life of the river by imbuing this flowing continuity inside the remnants of what is left of Fountains Abbey. In this sense, the power of nature in Shinto is a duality of the river within the spiritual mindset when visualizing – or visiting – the delightful Fountains Abbey. In other words, despite the passages of time the spiritual dimension of Fountains Abbey remains potent – just like nature – despite the countless upheavals done by humanity.

Overall, the end result is a delightful art piece by Utsumi who is fusing many themes. This is witnessed by the equal importance of the flowing life of the river that represents the spirituality that Fountains Abbey is blessed with, despite the terrible events of the Dissolution of the Monasteries. Therefore, nature and spirituality come together to create a multi-dimensional effect to this gorgeous art piece by Utsumi.

Lee Jay Walker

https://fineartamerica.com/featured/fountains-abbey-in-yorkshire-through-japanese-eyes-sawako-utsumi.html

https://fineartamerica.com/featured/art-of-japan-and-the-two-paths-of-shintoism-and-buddhism-holy-men-in-the-snow-without-abraham-sawako-utsumi.html

https://fineartamerica.com/featured/spirit-of-shinto-and-ukiyo-e-in-the-light-of-nature-sawako-utsumi.html

http://sawakoart.com

https://www.newstatesman.com/blogs/the-faith-column/2007/06/birth-life-japanese-shinto

 

Japan art and the paths of Shintoism and Buddhism: Holy men in the snow without Abraham

Japan art and the paths of Shintoism and Buddhism: Holy men in the snow without Abraham

 

In the second part of Sawako Utsumi’s art that focuses on Buddhist and Shinto holy men in the snow, the contemporary Japanese artist once more works a treat. Of course, the art itself provides a lovely backdrop into the interrelationship between Buddhism and Shintoism that seems to flow naturally. Equally, the nuance of simplicity belies the shocking truth of how Buddhism was erased despite the mountains of Afghanistan and in other parts of the world.

Hence, the twin forces of religious imperialism and domination by the respective faiths of Christianity and Islam bypassed Japan based on geography. Yes, Christianity did begin to grow in the later stages of the sixteenth century and early seventeenth century. However, the Tokugawa Period would soon oppress the Christian faith at all costs before the onset of yet another Abrahamic takeover.

Utsumi, while creating an adorable landscape that fuses nature and faith, is also alluding to the gentleness of the terrain despite the harsh winter conditions. Yet, the bigger picture equates to how Japan was luckily isolated from the enslaving and imperialistic forces of Christianity and Islam. Indeed, the natural scene of a Shinto shrine and Buddhist temple in the mountain landscape contrasts with the narrow-mindlessness of Abrahamic faiths that seek certainty in a world based on chaos.

The two art pieces titled “Art of Buddhism and Shintoism and Two Paths in the Snow” and “Art of Japan and the Two Paths of Shintoism and Buddhism: Holy Men in the Snow without Abraham,” alludes to the interwoven faiths of Buddhism and Shintoism that naturally share the same space in Japan. This natural flow of Buddhism and other non-Abrahamic faiths equally flowed in Afghanistan prior to the onset of Islam. However, now the Buddhist component of civilization in Afghanistan is nothing more than a memory. Instead, apostates from Islam face prison or death in 2018 in Sharia inclined nations based on no internal reformation unlike much of the Christian influenced world.

In the other art piece related to the same theme, I comment, Of course, the bigger picture relates to the crushing of Buddhism in history and the ongoing struggle of this faith in the Chittagong Hill Tracts, Ladakh, Rakhine, Tibet, and other parts of the world, where Buddhism is threatened. Equally disturbing, even the historical legacy of Buddhism is being erased by Sunni Islamist forces in Afghanistan and further afield. Likewise, many Traditional Beliefs are still under threat from Christianity and Islam respectively – from small tribes in Brazil to tribes in Indonesia. Therefore, the beacon of the indigenous faith of Shintoism still shines brightly and this says much for Buddhism that did not seek to devour the indigenous faith – unlike the historical reality of Christian and Muslim forces throughout history that erased the past.”

 

Overall, the singular dimension is another adorable landscape by this contemporary Japanese artist that also fills the viewer with natural delight. Likewise, people can connect with aspects of Japanese culture and faith. However, the greater nuance applies to a land that wasn’t conquered by the faiths of Abraham. Therefore, the natural landscape and the interwoven angle of Buddhism and Shintoism relates to continuity and an inner peace based on escaping the excesses of Abrahamic faiths.

Written by Lee Jay Walker

Please email Sawako Utsumi at sawakoart@gmail.com

BELOW IS AN ART BOOK BASED ON THE ART OF SAWAKO UTSUMI

Book Review: Sawako Utsumi and her Kindred Spirit

European and Japanese Art: Buddhism, Christianity, Landscapes, Rinpa, Shintoism, Ukiyo-e, and Dutch Masters

http://www.lulu.com/shop/lee-jay-walker/sawako-utsumi-and-her-kindred-spirit/paperback/product-22830732.html – Please click on to order the book.

https://fineartamerica.com/featured/art-of-japan-and-the-two-paths-of-shintoism-and-buddhism-holy-men-in-the-snow-without-abraham-sawako-utsumi.html Art of Japan and the Two Paths of Shintoism and Buddhism: Holy Men in the Snow without Abraham

https://fineartamerica.com/featured/art-of-buddhism-and-shintoism-and-two-paths-in-the-snow-sawako-utsumi.html Art of Buddhism and Shintoism and Two Paths in the Snow

http://fineartamerica.com/featured/exiled-buddhist-cleric-nichiren-in-the-snow-sawako-utsumi.html – Exiled Buddhist Cleric Nichiren in the Snow

http://fineartamerica.com/featured/buddhist-cleric-nichiren-in-exile-and-homage-to-yoshitoshi-sawako-utsumi.html Buddhist Cleric Nichiren in Exile and Homage to Yoshitoshi

http://fineartamerica.com/featured/buddhist-cleric-nichiren-and-bleak-winter-in-exile-sawako-utsumi.html Buddhist Cleric Nichiren and Bleak Winter in Exile

http://sawakoart.com

 

Japanese Artist and Landscapes of Manchester: Blackley Forest, Heaton Park, and River Irk

Japanese Artist and Landscapes of Manchester: Blackley Forest, Heaton Park, and River Irk

The contemporary Japanese artist, Sawako Utsumi, fuses the art world of Japan and Europe based on an array of areas. For example, from the inspiration of traditional Dutch art to the cityscapes of Paris. Similarly, her Japanese art focuses on angles related to Buddhism, Shintoism, and old art forms. At the same time, Utsumi adores the landscapes of the High Peak area and Peak District in general; in relation to the stunning county of Derbyshire and the beautiful Christian churches that dot the landscape. However, in this article, the emphasis is on Heaton Park and the hidden gem of Blackley Forest in Manchester.

Ironically, while these two art pieces focus on the natural landscapes of Manchester, Utsumi also adores L.S. Lowry (Lowry inspired art piece below by Utsumi) with his connection to Salford and Manchester respectively. In stark contrast to L.S. Lowry, who especially focused on scenes related to the Industrial Revolution and ordinary working-class lifestyles, Utsumi focuses on the angle of nature in relation to her landscapes of Manchester.

In her latest oil painting, titled the Hidden Gem of Blackley Forest in Manchester, the adorable natural landscape comes alive. Indeed, the other art piece, titled Laburnum Tree in Splendid Isolation, is also based in the same part of north Manchester. However, despite Blackley Forest and Heaton Park sharing the same environment and being within a few minutes walking distance, it is true to say that Blackley Forest is a genuine “Hidden Gem.” After all, you rarely see many people relaxing in this less known part of Manchester despite Blackley Forest being extremely beautiful and blessed with a rich natural habitat for animals, birds, various species of trees, and plants. Also, Utsumi focuses on the natural beauty of the River Irk that flows into the River Irwell in central Manchester.

The art piece by Utsumi shows Blackley Forest in all its natural beauty. This applies to the delightful landscape and the mellow walk by the River Irk. Hence, the natural flow of the River Irk blends beautifully with trees, flowers, and plants, depicted by Utsumi in her latest art piece.

In a past article, I state, “The other art piece, Laburnum Tree in Splendid Isolation, highlights the natural beauty of nature. Indeed, for individuals who adore the laburnum tree, then while the original art piece is located in northwest England, the tree itself could be in various parts of this nation. Immediately, the adorable laburnum tree hits the individual because people who love this species will have vivid memories.”

Overall, this contemporary Japanese artist continues to blossom because of the array of angles to her art. Therefore, her latest art piece illuminates the stunning beauty of Blackley Forest in Manchester.

Lee Jay Walker

Please email Sawako Utsumi at sawakoart@gmail.com

http://www.blackleyforest.com/

BELOW IS A NEW BOOK BASED ON THE ART OF SAWAKO UTSUMI

Book Review: Sawako Utsumi and her Kindred Spirit

European and Japanese Art: Buddhism, Christianity, Landscapes, Rinpa, Shintoism, Ukiyo-e, and Dutch Masters

http://www.lulu.com/shop/lee-jay-walker/sawako-utsumi-and-her-kindred-spirit/paperback/product-22830732.html – Please click on to order the book.

https://fineartamerica.com/profiles/sawako-utsumi.html Sawako Utsumi and where you can buy her art, postcards, bags, and other products. Also, individuals can contact her for individual requests.

https://fineartamerica.com/featured/hidden-gem-of-blackley-forest-in-manchester-sawako-utsumi.html Hidden Gem of Blackley Forest by Sawako Utsumi

http://fineartamerica.com/featured/laburnum-tree-in-splendid-isolation-sawako-utsumi.html Laburnum Tree in Splendid Isolation by Sawako Utsumi

http://sawakoart.com Sawako Utsumi and articles related to her art.

 

Japanese Art and Esaias Van De Velde: Christian Churches and Dutch Villages Through Japanese Eyes

Japanese Art and Esaias Van De Velde: Christian Churches and Dutch Villages Through Japanese Eyes

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The contemporary Japanese artist Sawako Utsumi adores the richness of Dutch Art from the distant past of the fifteenth to seventeenth century. In this article, the focus is firmly on Esaias van de Velde who passed away in 1630. However, despite the clear admiration held by Utsumi who is paying homage to Esaias, the color scheme and central theme of Christianity in a placid sense are extremely pronounced.

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If you fast forward to modern times in Holland and Japan then the old world is still ticking to the traditions of the past in the countryside. Yes, the religious fervor and areas of stratification will be different in comparison with the past, yet despite this, the images conjured up in the mind survives.

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I state in a past article, “In the realm of fame, history, time, religious values and natural landscapes then Esaias and Utsumi are a million miles apart. However, in the world of art then anything is possible providing the natural feel is linked with passion and admiration. Therefore, for Utsumi, it is natural to flow between time, space, concepts and ideas because the mystery of Shintoism isn’t constrained by religious orthodoxy.”

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In the latest art piece by Utsumi titled Japanese Artistic Light of Esaias Van De Velde, the color scheme and central role of Christianity is striking. Likewise, people depicted seem to have time to waste based on tranquility. At the same time, houses look quaint and the natural flow of life seems a million miles away from modern Tokyo where Utsumi currently resides.

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It is known that Esaias admired Pieter Bruegel the Elder (1525-1569). Intriguingly, this artist was called “Peasant Bruegel.” For Utsumi, the artist Bruegel is also deeply admired because of his depiction of adorable landscapes and artistic themes that focus on peasants. In a sense, Utsumi is trying to fuse both artists within her art based on several angles.

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Utsumi’s other art piece titled Japanese Reflection of Esaias van de Velde ties in greatly with her latest art piece titled Japanese Artistic Light of Esaias Van De Velde. Therefore, despite the homage being shown by Utsumi towards Esaias, it is abundantly clear that her own thoughts are focused on different themes outside of the original art pieces by Esaias and this notably applies to the Christian angle.

Lee Jay Walker

Please email Sawako Utsumi at sawakoart@gmail.com

BELOW IS A NEW BOOK BASED ON THE ART OF SAWAKO UTSUMI

Book Review: Sawako Utsumi and her Kindred Spirit

European and Japanese Art: Buddhism, Christianity, Landscapes, Rinpa, Shintoism, Ukiyo-e, and Dutch Masters

sawako-book-3

http://www.lulu.com/shop/lee-jay-walker/sawako-utsumi-and-her-kindred-spirit/paperback/product-22830732.html – Please click on to order the book.

http://sawakoart.com – Sawako Utsumi personal website

http://fineartamerica.com/profiles/sawako-utsumi.html – Sawako Utsumi and where you can buy her art, postcards, bags, and other products. Also, individuals can contact her for individual requests.

http://fineartamerica.com/featured/japanese-artistic-light-of-esaias-van-de-velde-sawako-utsumi.html

http://fineartamerica.com/featured/japanese-reflection-of-esaias-van-de-velde-sawako-utsumi.html

http://fineartamerica.com/featured/esaias-van-de-velde-in-japanese-light-sawako-utsumi.html

Japanese Art and a Spice of Ukiyo-e: Mountains in Blue and the Kami of Shinto

Japanese Art and a Spice of Ukiyo-e: Mountains in Blue and the Kami of Shinto

Lee Jay Walker

Modern Tokyo Times

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The modern Japanese artist, Sawako Utsumi, hails from northern Japan. In this article, the focus is on three recent art pieces related to stunning mountains. Unlike this art piece, the faith of Shinto played a significant part in her last two mountain themed art pieces, even if on the margins to the eye while being central overall.

Utsumi based on her individual creativity and knowing the eventual linkage focuses on stunning mountains in different shades of blue. This delightful aspect ignites the art pieces both individually and collectively.

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In her two previous art pieces in this current trilogy titled Spirit of Ukiyo-e in the Light of Shinto and Spirit of Shinto and Ukiyo-e in the Light of Nature, the fusion of the indigenous faith of Japan and nature shone brightly. After all, the religion of Shinto is fully interwoven with the mystery of nature. Therefore, adorable Shinto shrines throughout Japan dot the landscape naturally and the spirit world of Shintoism is equally shaped by the reality of nature.

I state in a past article that Recently, the modern Japanese artist, Sawako Utsumi, produced two stunning pieces of art based on the fusions of ukiyo-e, the gentle influence of Shintoism and the power of nature. These two pieces of art are titled the Spirit of Ukiyo-e in the Light of Shinto and Spirit of Shinto and Ukiyo-e in the Light of Nature. Given this reality, Utsumi is focused on bringing these two art pieces together based on delightful color schemes, playing on nature, the mystery of the mind, the lasting legacy of ukiyo-e, and the endless influence of the Shinto faith that remains within easy reach.”

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Intriguingly, in her latest art piece that connects the other two, then the sole focus is nature itself. Despite this, the art piece titled Spirit of Ukiyo-e Illuminated by Stunning Nature isn’t actually excluding nature – when viewed from the trilogy and the meaning of kami.

Indeed, the latest art piece is a mirage that can be viewed from the ending, or in reverse from nature to people. In other words, all people enter this world and leave based on death but in the world of Shinto the reality of life, nature, spirits, and other factors, is a continuing cycle. Therefore, the kami exists even if people know little – or even if the art piece no longer connects directly to the human world.

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The BBC says, Kami are not inherently different in kind from human beings or nature – they are just a higher manifestation of the life energy… an extraordinary or awesome version… Kami don’t exist in a supernatural universe – they live in the same world as human beings and the world of nature.”

Overall, Utsumi is playing on the kami theme above, while utilizing the beauty of ukiyo-e, and illuminating this with stunning mountains that unify the bigger picture.

Lee Jay Walker

Please email Sawako Utsumi at sawakoart@gmail.com

http://sawakoart.com – Sawako Utsumi personal website

http://fineartamerica.com/profiles/sawako-utsumi.html – Sawako Utsumi and where you can buy her art, postcards, bags, and other products. Also, individuals can contact her for individual requests.

http://fineartamerica.com/featured/spirit-of-ukiyo-e-illuminated-by-stunning-nature-sawako-utsumi.html

http://fineartamerica.com/featured/spirit-of-shinto-and-ukiyo-e-in-the-light-of-nature-sawako-utsumi.html?newartwork=true

http://fineartamerica.com/featured/spirit-of-ukiyo-e-in-the-light-of-shinto-sawako-utsumi.html

Japanese Artist and Aert Van Der Neer: Christianity, Dutch Art, Edo Period and Altered Realities

Japanese Artist and Aert Van Der Neer: Christianity, Dutch Art, Edo Period and Altered Realities

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The Dutch Golden Age of art is a true blessing because the potency remains despite the enormous distance in time. Not surprisingly, the contemporary Japanese artist Sawako Utsumi adores this reality. This fact can be seen visibly in her respective homage to Aert van der Neer and Esaias van de Velde. Therefore, her latest two art pieces in relation to van der Neer (1603-1677) really stand out because of passion, altered realities, color schemes, new induced Christian church – and a plethora of other intriguing factors.

In the latest art piece by Utsumi (highlighted above), titled Japanese Art and Semblance of Aert van der Neer, it is apparent that a changed landscape emerges. Yet, this reality is extremely gentle, despite the significance and cultural factors behind this change. After all, interactions took place between the Dutch and Japanese in distant history despite enormous constraints.

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On top of this, the religious wars that pitted Catholicism and Protestantism in parts of Europe, just like the sectarian conflicts involving Sunni Takfiri Islamists and the persecuted Shia in the modern world, equally held true during the Edo period in Japan. Indeed, during the lifetime of van der Neer, the crushing of Christianity in Japan took place during the long years of the Tokugawa period (Edo period). Equally intriguing, the Edo period began in the birth year of van der Neer in 1603.

Ironically, the Dutch, just like the British supporting non-Christians against Christians throughout history, also played a part in the crushing of the Japanese Christian rebellion. After all, the Dutch gave tacit support, irrespective if limited in scale, in the crushing of the Christian peasant uprising called the Shimabara Rebellion (1637-1638). Therefore, when Christians were holding out in Hara Castle the Dutch abide by Tokugawa requests and bomb the followers of Christianity.

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In this sense, Utsumi is recollecting history but this time instead of the eradication of Christianity in Japan during the Edo period, you now have a refined Christian church in the background that replaces the windmill by van der Neer. This intriguing reality is obvious to people of history but is most likely lost on people who view without such knowledge. Similarly, while Japanese Christians became martyrs for the Christian cross, the poverty they suffered was equally felt by van der Neer, despite the causes being based on enormously different factors.

Overall, just like the earlier art piece by Utsumi called Japanese Light in Remembrance of Aert van der Neer, it is clear that you have distinctive hidden factors. Therefore, the cultural, historical, religious – and independent altered landscape by Utsumi – works a treat and this equally applies to the adorable color scheme by this modern Japanese artist.

Lee Jay Walker

http://sawakoart.com – Sawako Utsumi personal website

http://fineartamerica.com/profiles/sawako-utsumi.html – Sawako Utsumi and where you can buy her art, postcards, bags, and other products. Also, individuals can contact her for individual requests.

http://fineartamerica.com/featured/japanese-art-and-semblance-of-aert-van-der-neer-sawako-utsumi.html

http://fineartamerica.com/featured/japanese-light-in-remembrance-of-aert-van-der-neer-sawako-utsumi.html

http://fineartamerica.com/featured/japanese-reflection-of-esaias-van-de-velde-sawako-utsumi.html

http://fineartamerica.com/featured/esaias-van-de-velde-in-japanese-light-sawako-utsumi.html

Modern Tokyo Times images